Monday, October 31, 2011

Shakespearean Weekend

This weekend was so much fun! I felt transported back to an era of Elizabethian proportions.

Friday night I saw MacBeth with the Grassroots Shakespeare Company and they did a PHENOMINAL job. The show was minimal and goofy: they had no budget, no director, 2 weeks of rehearsal, and were borrowing the venue. Each character costumed/prop-ed themselves, and they staged the play as a cast. It was the true Shakespearean expirience:
 I was a groundling.
The cast jumped in and out of the audience
the audience shouted at the performers.

one of my favorite moments of the evening was when Lady MacBeth said, "out damn spot!" and a groundling shouted "TRY CLUB SODA" bah ha ha

with all these distractions, they kept the integrity of the play, and it was incredibly powerful.





  • My second shakespeare show this weekend was The Tempest put on by The Pioneer Theater Company at the University of Utah. It was fantastic. Some highlights:
    • the stage was set up like a workshop, with a stage in the middle. The magic Prospero produced was compared to the magic of Shakespeare putting on a play.
    • there was a very interesting relationship between Prospero and Ariel that they portrayed through a series of attempts to physically connect hands, then when prospero gave up his magic, they could for the first time touch. It was a moving moment, and added depth to their characters/relationship that was not written in the text.
    • we got to talk to the cast after for a few minutes. They all seemed like very neat people. One kind of funny phenomenon was Ariel spoke and moved her hands almost the EXACT same way she did on stage in character
Quite the Wonderful Weekend in my opinion. 

Social Discovery

I have actually already done this, but forgot to add it to my post.

Originally I thought I would look at the historical accuracy of Julius Ceasar, but then changed my mind. In the process, however, i came across this neat dialogue on the site "All Empires History Forum" on the Historical Accuracy of the Play.
 Some interesting highlights:
  • "Shakespeare's immediate source for history was Raphael Holinshed's Chronicles of England, Scotland, and Ireland(1577) but he was an avid reader who used lots of sources."
  • "Et tu Brute?" was a fictional line, however, according to Suetonius, in Greek, Caesar was rumoured to have said was "even you my child?"
  • The murder actually did take place on the Ides of March
  • and apparently it would not have been that uncommon to have all the senators carry weapons on their person. WHO KNEW?
Another free-lance internet author offered that Shakespeare was too flattering to the characters of Brutus  and Marc Antony. That in reality they were a bloodthirsty conspirator, and a selfish egotist, respectively.

One teacher on Good Reads, Bill Kerwin, said that every year (for over thirty years) his opinion of whom he likes better, Cassius or Brutus, changes. That's very interesting to me.


There is far too much analysis on this play to write about half of what I found.  But it goes to show how many people are captivated by Shakespeare, and specifically Julius Caesar.

Friday, October 28, 2011

Sharing is Caring

Sharing Locally:
I am in a european studies class, and a few of my classmates and I had a deep discussion on the effects of Shakespeare in European Culture. A few interesting points that sprouted from that dialogue:
  • We talked about how my Christian theme is really quite easy to spot in a lot of great stories, because it is the ultimate  storyline: there is a sacrafice for the greater good. It is easy to pick up Christian motifs and themes in basically anywhere, because we are so fascinated by the basic principal.
  • Basically what we know of Europe today (a lot of it at least) comes from Shakespeare's works
  • Shakespeare was to Europe as Hollywood is to America. He dramatized LIFE. Made it so that normal, boring ordinary humans were dramatic, interesting, dynamic characters. Which has intrigued and held the attention of the masses for centuries!
  • One friend was lost in Rome, wandering around with his mother, and they stumbled on the very place where Julius Caesar was Murdered! The Senate house is there still, but in ruins, and apparently teeming with homeless cats. Who'd have thunk?
  • I told them to check out my blog.

Sharing Globally:

Our world is connected by the speed of our internet. Isn't it amazing how I can email/call instantaniously the Shakespeare festival in Oregon, who is in the closing weekend of their Julius Caesar run, and potentially hear from them within minutes?! (potentially is the key word):   http://www.osfashland.org/browse/production.aspx?prod=206
Looks like an awesome production. I'll certainly post when the artistic office replies to one of my messages requesting contact information for the director or any one of the designers... I am really looking forward to talking to them!

I reached out to quite a few sources via online, and have not yet had a reply. I am not discouraged however. I found some very cool things. One of my favorite: My new friend Elenor, from goodreads, wrote this awesome statement that I had to pass along:

 "Reading Shakespeare is always like drinking honey that is also alcohol that is also clean gasoline for your brain and heart. I want to devour it as slowly as possible."

I also found this promo video for an experimental version: "Shakespeare in Paradise - Julius Caesar "Marcus Brutus"

 I must've pasted my Ceasar and Christianity link probably to an annoying extent on lots of posts about Julius Ceasar. Someone is bound to respond eventually right? I will keep you updated when anyone does!

Thursday, October 27, 2011

Final Project Rehearsal Schedule

I am SOOOoooOOo excited to do this. Theater/directing is a huge passion of mine, and I cannot wait to be a part of a show again!

Here is the basic schedule. Obviously open to some changes, but not very much. It takes a lot of work to produce a show--even just a one-act version, but if we really want to do it, we really have to put in the time. I know it seems like a huge commitment, but we'll make up for it, because 'twill simply be a blast!
(Sorry it is a little hard to see, but I copied it from an excell sheet)
We can talk more specifics about scheduling once we get a solid crew together, but I figured this would be the most convenient times for people. It will be so much easier if we have everyone there basically every day. And remember: this will be FUN I PROMISE! :D

Tuesday, October 25, 2011

Petrarch's Opinion

In my European Studies class we have been talking about the effects of poetry/love in the development of society. Mostly western, but also just human.

We read an article in class called "The Erotic Phenomenon" written by Jean-Luc Marion, and it was all about how unspoken but essentially important Love is to us, "As far as telling it, thinking about it, or celebrating it: silence in the ranks. A silence saturated with pain, which pierced through the political, economic, and medical chitchat that smothers it in an attempt to reassure us" (p. 3)

Petrarch's love Laura
We've also read a lot of poetry by Francesco Petrarca, more commonly known to us as Petrarch. He was conflicted in his love for a woman, because it went against St. Augustine's teachings to love God first and foremost. But Petrarch in the end didn't really care. He loved this woman and basically did not care that he was going against God, because it was such a powerful feeling.

There is a strong human necessity for love. There are incredibly powerful feelings that associate with being in love, we're both fascinated and terrified by.

Shakespeare often adds this element to his plays, because it's such a driving force of human life. In "The Tempest" The love between Miranda and Ferdinand is entertaining in a way that the other story cannot be. We, as audience members are so captivated with the sense of Love. 

Shakespeare knew what he was doing.

Jean-Luc Marion, Selections from Marion, The Erotic Phenomenon (Chicago: University of Chicago Press, 2008). 

Friday, October 21, 2011

Caesar and Christianity

William Shakespeare’s great work, “Julius Ceasar” tells the story of Roman men caught up in conspiracy so much so, that they kill their beloved leader, Julius Ceasar. Many main characters Shakespeare wrote to have strong similarities to Biblical, and generally Christian figures.

Ceasar draws upon clear parallels to Christ.
He is a noble leader, a figure of consistency:
“I am constant as the northern star,
Of whose true-fix'd and resting quality
There is no fellow in the firmament.
The skies are painted with unnumber'd sparks,
They are all fire and every one doth shine,
But there's but one in all doth hold his place:
So in the world; 'tis furnish'd well with men,
And men are flesh and blood, and apprehensive;
Yet in the number I do know but one
That unassailable holds on his rank,
Unshaked of motion:” (Act III, scene I)

The Bible portrays Jesus Christ as an immovable figure; a Constant presence
“He is the Rock, his work is perfect: for all his ways are judgment: a God of truth and without iniquity, just and right is he.”(Deuteronomy 32:4)
“The LORD is my rock, and my fortress, and my deliverer; my God, my strength, in whom I will trust” (Pslam 18:2)
 “Jesus Christ is the same yesterday, today, and forever.”(Hebrews 13:8)

In Caesar’s last will and testament, he gives, “to every Roman citizen … seventy-five drachmas… moreover, he hath left you all his walks, His private arbours and new-planted orchards… and to your heirs for ever…” (Act III, scene II) Leaving his lands and wealth to be inherited by the people.

Christ also leaves for us a wealth of inheritance. Romans: 8:16-17 says, “We are the children of God: And if children, then heirs, heirs of God, and joint-heirs with Christ

Both honest men: 
Shall Caesar send a lie?” (Act II, scene II) 
“Grace and truth came by Jesus Christ”(John 1:17)

Caesar and Christ were both murdered in innocence, and both figures resurrected to some extent.

There is, however one very large difference between the two: according to the Bible, Christ came back from the grave as a resurrected being having rescued mankind from the bonds of death and hell, but Caesar returns as a ghost for the purpose of haunting his murderer.

Cassius: Clear Parallels to Satan
Cassius is jealous of Caesar’s power, and hateful that he is in a position subservient to the latter,
“Caesar: and this man
Is now become a god, and Cassius is
A wretched creature, and must bend his body
If Caesar carelessly but nod on him” (Act I, scene II)
In his jealousy, conspires to bring Caesar down.

In the Book of Mormon, 2 Nephi 2:27 it reads, “the devil… seeketh that all men might be miserable like unto himself”

2 Nephi 9:9 describes Cassius very well:
“…we become devils… to be shut out from the presence of our God, and to remain with the father of lies, in misery, like unto himself; yea, to that being who beguiled our first parents, who transformeth himself nigh unto an angel of light, and stirreth up the children of men unto secret combinations of murder and all manner of secret works of darkness.”

Cassius--and the Devil—actually do not care about the people, “he sees the Romans are but sheep…those that with haste will make a mighty fire Begin it with weak straws: what trash is Rome” (Act I scene III)

Cassius uses a Combination of flattery, and temptation in Act I, scene II: “Brutus and Caesar: what should be in that Caesar
Why should that name be sounded more than yours?...
O, you and I have heard our fathers say
There was a Brutus once that would have brook’d
The eternal devil to keep his state in Rome
As easily as a king”

In the Bible, the book of Matthew chapter 4 versus 1-3 The Devil is tempting Christ with egging words: “Then was Jesus led up of the Spirit into the wilderness to be tempted of the devil… If thou be the Son of God, command that these stones be made bread”

Versus 8-9 he uses the tactic of potential gain, as did Cassius:
“he taketh him up into an exceeding high mountain, and sheweth him all the kingdoms of the world, and the glory of them; and saith unto him, all these things will I give thee”


Brutus: Parallels to Judas Iscariot and/or Peter
The Book of Matthew 26:74-75 reads, “then began he to curse and to swear, saying, I know not the man. And immediately the cock crew. And Peter remembered he word of Jesus, which said unto him, Before the cock crow, thou shalt deny me thrice. And he went out, and wept bitterly.”

Judas Iscariot, one of Christ’s apostles, betrayed him by showing the Roman guards where he was, knowing that their intent was to kill him.

Jesus’ closest friends and companions betrayed him. Brutus, one of Caesar’s best friends conspired against and ultimately betrayed him by participating in his murder.





And furthermore the Roman crowds could represent humans in general, in our weak and fallen state.
Adam and Eve fell at the temptation of Satan, and according to Shakespeare, the Roman citizens are fallen, weak, simple, easily persuaded beings. With every man’s speech, the crowds vehemently agree, even if it is completely opposite of what they had just been shouting:

Citizens’t were best he speak no harm of Brutus here… This Ceasar was a tyrant… that’s certain: We are blest that Rome is rid of him
Antony: You all did love him once, not without cause: what cause withholds you the not mourn for him? O judgement! Thou art fled to brutish beasts
CitizensThey were traitors: honourable men!... they were villains, murderers!.. We’ll burn the house of Brutus… Most noble Caesar! We’ll revenge his death

Spoken from the devil figure, Cassius, who knows the flaws in humanity: “Men at some time are masters of their fates: The fault, dear Brutus, is not in our starts, But in ourselves, that we are underlings”(Act I, scene II)

Octavius in Act V scene V, says that he will easily take charge of the men who once served Brutus, because men are so easy to change loyalty.

Mark Antony knows the power of mob mentality and uses it to stir up a passionate rebellion to fulfill his own thoughts of revenge. These men are malleable, and in such are predictable to do whatever they are told (even by reverse psychology):
“I fear I wrong the honourable men Whose daggers have stabb’d Caesar; I do fear it”…“let me not stir you up To such a sudden flood of mutiny”…“Now let it work. Mischief, thou art afoot, Take thou what course thou wilt” (act III scene ii)


Shakespeare clearly drew very strong parallels in Julius Ceasar to the Christian story of Jesus Christ. But because in this case Christ is not actually a redemptive figure, I believe Julius Ceasar is a pessimistic commentary on humanity.
Ceasar does not completely fit the figure of Christ, which means that Cassius isn’t quite Satan. I think Shakespeare might be saying that we do not need the devil incarnate to come ruin our lives. But that men are weak, and have very little conviction, and we can ruin our own lives, with little or no help from hell. Whether or not Satan exists is more or less irrelevant to the fact that his role is in our own weak flesh.

Thursday, October 20, 2011

Shakespeare Acting Help

I thought I'd post this in case anyone is interested: The Theater Department at BYU is actually putting on Love's Labour's Lost next semester. How cool is that?!

Since I am going to be producing a much smaller-scale version: I thought I'd open up the chance for my future actors to come with me to a shakespeare monologue workshop!  there is one more next saturday the 29th,but we're all going to see The Tempest in Salt Lake that day. But if anyone is intersted let me know.


Sat. Oct. 22nd, 12-3PM, F201, HFAC
Lecture: (bring a scene or monologue you are working on)
·      What is the Folio Method?
·      Historical Background - How did actors in Shakespeare’s time do it?!?
·      Trace the journey from the Shakespeare’s hand tothe printing press.
·      Learn how to dig for CLUES in the TEXT!!!

Disclaimer

I starting out thinking that I would look at Julius Ceasar from a historical/political perspective. And then I realized something very important:

I don't care.

I hate politics, and what interested me most about the play had nothing to do with it's historical context. So, I before tomorrow morning, there will be a well-crafted, interesting review of the characters  in Julius Ceasar. And Surprisingly OUT OF CHARACTER for ME to write about, there may or may not be some religious paralells drawn upon...

I dont' want to SPOIL it for you-- but as I was looking back through my markings of the text, I noticed that some religious themes stood out to me more than anything else.

Let's hope my good friend JJ Despain does not choose the same topic, because my paper would probably be put to shame next to his brilliance.

Tuesday, October 18, 2011

creepy fascination

 The Tempest starts out with a BANG! You've got everything: crazy storms, magicians, spirits, potential love stories, familial grudges, sounds like a FANTASTICAL story we are about to dive into!




Thursday, October 13, 2011

CALLING ALL ACTORS

For my final project in this class I've been thinking alot about producing a ONE ACT version of a play we've read.

I don't know about y'all, but as I'm reading Love's Labour's Lost, all I want to do is SEE how it would be played out. How much fun would it be to put it on?!

So many brilliant things could erupt:

  1.  Maybe costumes..?
  2. maybe we'd put a modern twist on it...?!
Just think of the Possibilities! are you getting as EXCITED AS I AM?!

We could probably pull it off with a minimum 2 girls, 2 boys. but we could do it really WELL with 3 of each. Anyone interested?

If we wanted it to be legit, we'd need 1-2 hour practice basically weekly. I was thinking Wednesday nights, but weekdays are so busy for everyone, so how do we feel about Saturday mornings?

Just imagine, you could be a Shakespearian STAR!

Marlon Brando=Stud

 
Hollywood advertized for Julius Ceasar as "Starring Marlon Brando" (and for good reason. He's a stud) HOWEVER....
Mark Antony was really not the main character in Shakespeare's Julius Ceasar. In my opinion Brutus, played by James Mason, stole the show. I really think his performance captured the struggle within Brutus, whether to fight against the potential evil by horrible means, but with truely noble intentions... And as the story wore on, his struggle with his grief and guilt, was theatrically compelling.

He mentions at Ceasar's funeral that he would take his own life when Rome needed his death, and in the end, he was true to his word. It was a beautifully dramatic suicide, acted extremely powerfully, and cinematically carried out very well.

 The movie kept very close to the original text (if not exact) and certainly kept the integrity of the feeling of Rome and Shakespeare's interpretation of it.

Some cool cinematic elements i noticed:
  •  when the conspirators were conspiring, there were harsh, striped shadows cast on their faces
  • during the battle scene, there was no music, just rhythmic war drums, so it was eery and ominous. (built the intensity of  the coming battle)
  • interesting director's choice: everytime the people greeted the people in charge, they did the "Hail Hitler" hand thing... I wonder what sort of political comment he might have been trying to make...
After having read the play, I settled in for what I thought would be a long and painful experience of watching a black-and-white, 1953 shakespeare adaptation... So I invited a cute boy to watch with me, to add commentary in case it got boring. But basically from the beginning, I was shushing him. I wanted to WATCH the movie.

You know when you walk out of a movie and the feeling stays with you? This movie had that effect on me. I would reccomend it with 5 stars.

Tuesday, October 11, 2011

Et tu, Brute?

Mob mentality is an extremely powerful influencing force. Brutus, one of Julius Caesar's most trusted and beloved friends gets caught up in this conspiracy with little to no proof, and is so convinced that his cause is noble, that he takes over the entire thing. One tiny bit of evidence planted in Brutus' mind by the positively satanic figure, Cassius, and Caesar's best friend wants to
"bathe our hands in Caesar's blood Up to the elbows... then walk we forth... Let's all cry 'Peace, freedom and liberty'"

Thursday, October 6, 2011

History is a thing of the Past




My new project: Julius Caesar.

I've never read a history before, so this should be interesting. I'm excited!

I'm thinking about looking at this from a historical perspective. From what I've researched thus far, the play is relatively accurate.

My plan is to analyze the play from a few different angles. These are the top 3 I'll be particularly focusing on as I read:
  1. Historical Accuracy
  2. Importance of the history for the people in Shakespeare's time
  3. Character motives and/or commentary on current (or Elizabethian) leaders
This Saturday, I am very excited, I am going to sit down and watch the 1953 MGM production of Julius Ceasar, starring Marlon Brando. More to come on that.

Tuesday, October 4, 2011

If Music be the Food of Love

If music be the food of love...Speak on. 

Love's Labour's Lost, moreso than any other Shakespeare play I have read, is to me undeniably musical.

His words are so specifically chosen that it creates a sort of cadence that goes beyond a simple rhyming pattern, but into the world of melody.